- Amythyst Kiah
- David Childers
- Ruen Brothers
- Samantha Crain
- The Avett Brothers
- The National Reserve
A professed Southern Gothic, alt-country singer/songwriter based in Johnson City, TN, Amythyst Kiah’s commanding stage presence is only matched by her raw and powerful vocals—a deeply moving, hypnotic sound that stirs echoes of a distant and restless past.
Accoutered interchangeably with banjo, acoustic guitar, or a full band (Her Chest of Glass), Amythyst’s toolbox is augmented by her scholarship of African-American roots music. Her eclectic influences span decades, drawing heavily on old time music (Mississippi Sheiks, Son House, Jimmie Rodgers, Olla Belle Reed, Carter Family), inspired by strong R&B and country music vocalists from the ’50s-’70s
(Big Mama Thornton, Sister Rosetta Tharpe, Mahalia Jackson, Dolly Parton, Patsy Cline, Loretta Lynn) and influenced by contemporary artists with powerful vocal integrity (Adele, Florence and the Machine, Megan Jean and the KFB, Janelle Monae).
Recent tours in Scotland and the U.K. have seen Amythyst performing for audiences at the Americana Music Association UK Showcase, the Southern Fried Festival, Cambridge Folk Festival, the Edinburgh Jazz Festival, and SummerTyne Americana Festival. She is a crowd favorite at Bristol Rhythm & Roots Reunion in the U.S., has performed at the John F. Kennedy Center for Performing Arts, and the Smithsonian Folk Life Festival.
Fences is something new for our band Bombadil. It is more than just an album; it is a new path, a reset after several challenging years. It is the discovery of a group voice, the willingness to explore collaboration between old friends, and an openness to let new voices into the fold. We embraced limitations when writing the album, using only fingerpicked guitar, piano, upright bass, percussion, and harmony vocals. We recorded over 12 days at Tiny Telephone in San Francisco. The inimitable John Vanderslice produced and pushed us to embrace danger
and to listen for heart, not perfection. The recordings are all first takes, a document of new ideas being quickly embraced, mistakes being left alone as intention. We hoped to catch lightning in a bottle and I think that we did. It is something I am proud to have been a part of and am excited to share with the world. To me, it is an example of the power and positivity of collaboration, of a group of human beings working diligently on a shared vision. If nothing else, I can say that we tried as hard as we possibly could. I can't wait to do it again.
Singer-songwriter David Childers is the proverbial study in contradictions. A resident of Mount Holly, North Carolina, he’s a former high-school football player with the aw-shucks demeanor of a good ol’ Southern boy. But he’s also a well-read poet and painter who cites Chaucer and Kerouac as influences, fell in love with folk as a teen, listens to jazz and opera, and fed his family by practicing law before turning in his license to concentrate on his creative passions.
The legal profession’s loss is certainly the music world’s gain. Childers’ new album, Run Skeleton Run, releasing May 5, 2017 on Ramseur Records, is filled with the kinds of songs that have made him a favorite of fans and fellow artists including neighbors the Avett Brothers. Scott Avett contributes to four tracks, and Avetts bassist Bob
Crawford co-executive-produced the effort with label head Dolph Ramseur. (Crawford and Childers, both history buffs, have recorded and performed together in the Overmountain Men).
In fact, it was Crawford who kickstarted this album, Childers’ sixth solo effort, by suggesting he reunite with Don Dixon (R.E.M., the Smithereens), who’d produced Crawford’s favorite Childers album, Room 23 (done with his band the Modern Don Juans). Crawford also suggested tracking at Mitch Easter’s Fidelitorium Recordings. Crawford has also called Childers “a great friend, a great thinker and a great man … a true North Carolina treasure.” But let’s take out “North Carolina,” because Childers is the kind of treasure who can spread joy wherever people love listening to great songs. In other words, just about anywhere. Or everywhere.
Ru & Henry Stansall - from Scunthorpe, Northern England - were first discovered by BBC Radio 1’s Huw Stephens and Zane Lowe (twice being named Zane’s 'Hottest Record In The World'). The pair have since found themselves songwriting with The Weeknd, touring with George Ezra and Tom Odell, sharing material with Lana Del Rey, and recording an album produced by Rick Rubin at Shangri La Studios. The brothers have also performed at Coachella, Radio 1 Big Weekend, Isle of Wight, ACL & CMJ.
From pub circuits to being on the same bill as The Rolling Stones, the Ruen Brothers have received critical acclaim. They have been featured in GQ, Wonderland, Notion, tmrw, Q, NME, and Burberry. The Los Angeles Times named them as 'Best New British Music Coachella 2015' and 'Coachella 2015: 10 Artists to catch at the fest before they get huge.’
The Ruen Brothers have received airplay on KROQ, KCRW, ALT 98.7, BBC Radio, XFM (Radio X) and a host of independent stations across
the US and UK. They were also featured on Dermot O'Leary's 2014 Saturday Sessions Album which reached number 1 on the UK iTunes Chart.
Single ‘Unknown’ (released November 4th 2016) was featured on Apple Music’s ‘Best Of The Week’ playlist and received notable radio airplay in the US and UK.
‘Genevieve, Come Out Tonight’ is the band's latest single and features Chad Smith of the Red Hot Chili Peppers. The song has received international airplay. Apple Music put ‘Genevieve, Come Out Tonight’ in their Breaking Alternative playlist and featured the song on iTunes’ US home pages for Rock and for Alternative in the Hot Tracks and New Releases.
The Ruen Brothers currently reside in NYC and perform a weekly residency at the Manderley Bar within the McKittrick Hotel. They recently performed at Bonnaroo Music and Arts Festival in June 2017, where they were joined on stage by Chad Smith during their performance of ‘Genevieve, Come Out Tonight.’
You Had Me At Goodbye is the latest offering from Oklahoma native Samantha Crain, whose eccentric warble takes center stage on this collection of pop-minded, art punk-influenced tracks. Produced by John Vanderslice (Spoon, The Mountain Goats, Strand of Oaks), the new album is chock full of darkly humorous, witty lyrics and off-kilter vocals that expertly quench a thirst
for unabashed quirkiness.
Samantha has toured with artists like First Aid Kit, Thao and the Get Down Stay Down, and Brandi Carlile, and her music has earned praise from places like Rolling Stone, and Spin, who said Samantha "deftly conveys the small-wonder pleasures and pains of everyday existence." Samantha will embark on a national headlining tour later this year.
The Avett Brothers
THE AVETT BROTHERS made mainstream waves with their 2009 major label debut, I and Love and You, landing at #16 on the Billboard Top 200 and garnering critical acclaim from Rolling Stone, Paste, New York Times, Los Angeles Times, and Time. 2012 saw The Carpenter hit #4 on the Billboard Top 200, while People, USA Today, and American Songwriter lauded the album. The group appeared on Jimmy Kimmel LIVE! twice in a few months' time. During their second performance, the Brooklyn Philharmonic joined to pay homage to Brooklyn with "I and Love and You" at Mr. Kimmel's request. Their eighth studio album, Magpie and the Dandelion, debuted at #5 on the Billboard Top 200. They performed on
The Tonight Show with Jay Leno, The Late Show with David Letterman, and accompanied Chris Cornell for a Pearl Jam tribute on Late Night with Jimmy Fallon. The band supported The Rolling Stones in Raleigh during 2015's Zip Code Tour.
True Sadness achieves THE AVETT BROTHERS highest career debut to date and dominates multiple charts. The Rick Rubin produced album hit #1 on Billboard’s Top Albums Chart, #1 Top Rock Albums Chart, #1 Digital Albums Chart, #3 on the Billboard Top 200, and scored two Grammy nominations. Recently, THE AVETT BROTHERS were inducted into the North Carolina Music Hall of Fame. They continue to be revered as one of the top folk-rock acts in the country.
The National Reserve
For nearly half a decade, The National Reserve has spent Friday nights lighting it up at Brooklyn bars, winning over fans with epic sets and a remarkable breadth of song-craft and showmanship. With their 2018 release on Ramseur Records, Motel La Grange, the band has crafted a rich and raucous collection that instantly places them among Americana’s finest with its force, directness, and performance not unlike some lost recording unearthed
from the golden age of 70's rock ‘n’ roll. Founded and fronted by singer-guitarist Sean Walsh, The National Reserve meld gutbucket R&B with New Orleans funk workouts, late night soul, and boozy rock ‘n’ roll to create their own timeless brand of music. The National Reserve is set to bring all the fun and fire of their fervent Friday night sets to the rest of the world, eager to pack as many folks into their late night scene as possible.